Balance, 2015. Plaster of paris.
Balance recognises a journey through a split direction from a single point.
Title: As if to Celebrate, I Discovered a Mountain Blooming with Red Flowers
Medium: Pigments, wood and plaster
Anish Kapoor’s sculpture, in a cliched nutshell, is a mountain of spices in India with a samosa, or a mountain representing India with its colourful vibrant colours. I rather think it is a symbolism on the Indian culture (also my heritage).
This is a part of STONE Project called the Equilibrium of Opposites. It’s about linking people and artists through STONE; sculpture is everywhere: “Everyone on earth is connected to stone. Stone is the backbone of our planet and the foundation of our existence. Often we forget this, or have not yet noticed.”
To practice my own drawing techniques i need to copy, by eye (and/or measurements), other drawings so my hands and eyes can learn the flowing curves of drawing sculpture. I chose these drawings to copy because i knew they were relevant to my future practice; i was attracted to the complexity of the structure, knowing that somehow these drawings are representations of nature.
These drawings are my copies of Richard Deacons own drawings:
Geometry is most often regular and symmetrical; this bouquet of flowers are all made up of the same flower therefore the pattern representing this geometrically would be perfectly symmetrical. But, why? Why should they be regular when nature itself has made them so irregularly beautiful? The pattern of each individual tulip would be the same. But why? Clearly they are all different.
This is perhaps going against the very rules of geometry and the Natural order, but I have my own interpretations which I believe to be geometrically accurate representations of a bouquet of flowers.
Rotating Fossil became this.
Plaster of Paris
This sculpture is Growing out of the ground amongst nature. Growing comes out of the ground in a rotating motion; growing as nature grows. It represents Natures’ unpredictable growth every year while maintaining its beauty. Growing is also inspired by the Maori friendship symbol.
Plaster of paris
The structures allude to an allegorical representation of a Muslims intention for prayer and ablution followed by the purification of the soul through Salah. A Muslims personality is a testament to One God: an evocation of submission that revolves around our faith. Just like our personalities, we are submitting externally too by maintaining hijab, through a covert contextual meaning the laws that govern the interaction between male and female which must be abided by both.
The creation of this sculpture (and the entire collection) evokes memories of personal struggle to uphold my Islamic values from a young age, like many other Muslims around the world with the submerged identities of British, Indian, and Muslim, I am striving to maintain both identity and religion.
Dimensions: 6″ * 6″ 2 (six inch by six inch squared)